Season Subscription 26–27 (Jerusalem English)

Jerusalem
Jerusalem Music Centre, Mishkenot Sha’ananim
All concerts begin at 20:00

1. A Still, Small Voice
   Tuesday, 13 October 2026 (Hebrew) / Wednesday, 14 October 2026 (English)

2. Going to the Arranger
   Tuesday, 29 December 2026 (Hebrew) / Wednesday, 30 December 2026 (English)

3. Dwarfs and Giants
   Tuesday, 9 March 2027 (Hebrew)

4. Fire and Melancholy
   Tuesday, 25 May 2027 (Hebrew)

5. Mi-La Is a Word
   Tuesday, 29 June 2027 (Hebrew) / Wednesday, 30 June 2027 (English)

Early registration discount through 31 July 2026

5-concert subscription: ₪600
Single ticket: ₪155/140
058-5853353
carmelquartet.com

A Still, Small Voice

Hosted by Prof. Yoel Greenberg

Haydn — Quartet, Op. 33 No. 5
Beethoven — Quartet, Op. 95, “Serioso”
Schubert — Quartettsatz, D. 703
Cage / Schulhoff / Alé

A journey exploring the role of silence over 250 years of music, with comparisons to art and literature.

Going to the Arranger

Hosted by Prof. Yoel Greenberg

Silver-Garburg Piano Duo

Beethoven — Piano Sonata, Op. 14 No. 1
Schubert — Symphony No. 8, “The Unfinished”
Beethoven — “Grosse Fuge,” Op. 133
Schubert — Piano Sonata for Four Hands, D. 617

Arrangements by Beethoven, Yishai Shaer, and Richard Dünser

Why arrange a work written for one instrument or ensemble for others? What challenges arise along the way? Four works, four riddles, four solutions.

In collaboration with the Chamber Music Series of the Tel Aviv Museum.

Dwarfs and Giants

Hosted by Prof. Yoel Greenberg

Gilad Harel — clarinet
Bran — six bagatelles, Op. 9
Mozart — Quartet, K. 428
Charino — Quintet No. 1
Brahms — Clarinet Quintet, Op. 115

Two very short works meet two expansive ones, creating a rich dialogue between styles and dimensions.

In collaboration with the Chamber Music Series of the Israel Conservatory.

Fire and Melancholy

Daniela Skorka — soprano
Yizhar Karshon — harpsichord and presenter

C. P. E. Bach — Trio Sonata, Wq. 161/1, “Dialogue Between the Sanguine and the Melancholic”
Handel — Italian Cantata, HWV 110, “The Death of Agrippina”
Vivaldi — Trio Sonata, Op. 1 No. 12, “La Folia”

Drama and intense emotions in 18th-century music: from Handel’s tempestuous cantata about Agrippina, through Vivaldi’s “La Folia” variations, to the dialogue between the sanguine and melancholic in C. P. E. Bach.

Mi-La Is a Word

Hosted by Prof. Yoel Greenberg

Steve Reich — “Different Trains” for quartet and tape
Beethoven — Quartet, Op. 135

What music suits a question? Is it possible to compose the last sentence you said? The musicality of text as a source of inspiration, from Beethoven to Reich.