2026–2027 Season Subscription (Jerusalem Hebrew)

Jerusalem
Jerusalem Music Centre, Mishkenot Sha’ananim

All concerts begin at 20:00.

1. The Sound of Fine Silence
   Tuesday, 13 October 2026 (Hebrew) / Wednesday, 14 October 2026 (English)

2. Going to the Arranger
   Tuesday, 29 December 2026 (Hebrew) / Wednesday, 30 December 2026 (English)

3. Dwarfs and Giants
   Tuesday, 9 March 2027 (Hebrew)

4. Fire and Melancholy
   Tuesday, 25 May 2027 (Hebrew)

5. Mi-La Is a Word
   Tuesday, 29 June 2027 (Hebrew) / Wednesday, 30 June 2027 (English)

15% early-registration discount until 31 July 2026

• Subscription for 5 concerts: ₪600
• Single ticket: ₪155/140

The Sound of Fine Silence

Hosted by Prof. Yoel Greenberg

• Haydn: Quartet, Op. 33 No. 5
• Beethoven: Quartet, Op. 95, “Serioso”
• Schubert: Quartet Movement, D. 703, “Quartettsatz”
• Cage / Schulhoff / Olesh

A journey exploring the role of silence throughout 250 years of music, with comparisons to art and literature.

Going to the Arranger

Hosted by Prof. Yoel Greenberg

Piano duo Silver-Garburg

• Beethoven: Piano Sonata, Op. 14 No. 1
• Schubert: Symphony No. 8, “The Unfinished”
• Beethoven: “Grosse Fuge,” Op. 133
• Schubert: Piano Sonata for Four Hands, D. 617
• Arrangements by Beethoven, Yishai Shaer, and Richard Dinzer

Why arrange a work written for one instrument or ensemble for others? What difficulties arise along the way? Four works, four puzzles, four solutions.

In collaboration with the Chamber Music Series of the Tel Aviv Museum of Art.

Dwarfs and Giants

Hosted by Prof. Yoel Greenberg

Gilad Harel, clarinet

• Webern: Six Bagatelles, Op. 9
• Mozart: Quartet, K. 428
• Sciarrino: Quintet No. 1
• Brahms: Clarinet Quintet, Op. 115

Two very short works meet two expansive ones, creating a rich dialogue between styles and dimensions.

In collaboration with the Chamber Music Series of the Israel Conservatory.

Fire and Melancholy

Daniela Skorka, soprano
Yizhar Karshon, harpsichord and host

• C. P. E. Bach: Trio Sonata, Wq. 161/1, “Dialogue between the Sanguine and the Melancholic”
• Handel: Italian Cantata, HWV 110, “The Death of Agrippina”
• Vivaldi: Trio Sonata, Op. 1 No. 12, “La Follia”

Drama and intense emotions in 18th-century music: from Handel’s turbulent cantata about Agrippina, through Vivaldi’s “La Follia” variations, to the dialogue between the sanguine and the melancholic in C. P. E. Bach.

Mi-La Is a Word

Hosted by Prof. Yoel Greenberg

• Steve Reich: “Different Trains” for quartet and tape
• Beethoven: Quartet, Op. 135

What music suits a question? Can the last sentence you said be set to music? The musicality of language as a source of inspiration, from Beethoven to Reich.