2026–2027 Season Subscription (Zikhron Ya'akov)
A series of five concerts in the 2026–2027 season, beginning on October 18, 2026, at 8:00 p.m. at the Nir Auditorium in Zikhron Ya'akov. The program features chamber music.
Zikhron Ya’akov — Beit Nir Auditorium
All concerts begin at 20:00.
- The Sound of Fine Silence — Sunday, 18 October 2026
- Going to Arrangement — Sunday, 27 December 2026
- Dwarfs and Giants — Sunday, 7 March 2027
- Fire and Melancholy — Sunday, 23 May 2027
- Mi-La Is a Word — Sunday, 4 July 2027
15% early-registration discount until 31 July 2026
- Subscription for 5 concerts: ₪600
- Single ticket: ₪155/140
The Sound of Fine Silence
Hosted by Prof. Yoel Greenberg
- Haydn — Quartet, Op. 33 No. 5
- Beethoven — Quartet, Op. 95, “Serioso”
- Schubert — Quartet Movement, D. 703, “Quartettsatz”
- Cage / Schulhoff / Ale —
A journey tracing the role of silence over 250 years of music, with comparisons to art and literature.
Going to Arrangement
Hosted by Prof. Yoel Greenberg
Piano duo Silver-Garburg
- Beethoven — Piano Sonata, Op. 14 No. 1
- Schubert — Symphony No. 8, “The Unfinished”
- Beethoven — “Grosse Fuge,” Op. 133
- Schubert — Piano Sonata for Four Hands, D. 617
Arrangements by Beethoven, Yishai Shaer and Richard Dinser
Why arrange a work written for one instrument or ensemble for others? What difficulties arise along the way? Four works, four puzzles, four solutions.
In collaboration with the Chamber Music Series of the Tel Aviv Museum.
Dwarfs and Giants
Hosted by Prof. Yoel Greenberg
Gilad Harel — clarinet
- Webern — Six Bagatelles, Op. 9
- Mozart — Quartet, K. 428
- Scarrino — Quintettino No. 1
- Brahms — Clarinet Quintet, Op. 115
Two very short works meet two expansive ones, creating a rich dialogue among styles and dimensions.
In collaboration with the Chamber Music Series of the Israel Conservatory.
Fire and Melancholy
Daniela Skorka — soprano
Yizhar Karshon — harpsichord and host
- C. P. E. Bach — Trio Sonata, Wq. 161/1, “Dialogue Between a Sanguine and a Melancholic”
- Handel — Italian Cantata, HWV 110, “The Death of Agrippina”
- Vivaldi — Trio Sonata, Op. 1 No. 12, “La Follia”
Drama and powerful emotions in 18th-century music: from Handel’s turbulent cantata about Agrippina, through Vivaldi’s “La Follia” variations, to the dialogue between the sanguine and the melancholic in C. P. E. Bach.
Mi-La Is a Word
Hosted by Prof. Yoel Greenberg
- Steve Reich — “Different Trains” for quartet and soundtrack
- Beethoven — Quartet, Op. 135
What music suits a question? Can the last sentence you said be set to music? The musicality of text as a source of inspiration, from Beethoven to Reich.
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