A dance performance by Ohad Naharin, performed by the Batsheva Ensemble, at the Suzanne Dellal Centre in Tel Aviv. The performance includes Hebrew text and partial nudity.
For details and tickets
“Decadance is a work in which we celebrate our repertoire—a playground where we add to, subtract from, and rework excerpts from our body of work. It is an opportunity to view what we do from different angles. More than anything, I love how Decadance allows the dancers to offer their own interpretation, filled with sublime moments.”
— Ohad Naharin
Ohad Naharin created Decadance in 2000 to mark a decade of his work at Batsheva, incorporating ten excerpts from the body of work he had created for the company up to that point. Since then, every season Naharin has returned to Decadance, presenting ever-changing adaptations of iconic excerpts from his works alongside excerpts from new works. Through meticulous editing, they become a different whole each time.
Decadance explores the possibility of a work remaining forever open, always in the process of becoming, and never final. It is an invitation to revisit phrases written for the body and the company’s diverse materials; to dive into them, knead them, observe them with a fresh perspective, and experience ourselves in relation to them time and again—yet never in the same way.
Over the years, Naharin and the dancers have repeatedly returned to Decadance as a persistent investigation, celebrating the company’s rich creative range.
Performed by Batsheva Ensemble dancers, 2026–2027 season:
Lin Akobo, Zachary Boros, Seth Gibson, Joey Gertin, Victoria Chassa Dominguez, Sydney Hirai, Kasper Laibetsky, Dandan Cohen, Yiftach Lustiger, Coco Nio, Daniel Paula, Toam Suissa, Chae Won Suh, Noga Sena, Chase Peterson, Shira Kastenbaum.
Trainees: Mika Avraham, Maya Yaakovi, Hila Landsberg, Guy Rosenzweig.
Reworked excerpts from Order (2007), Field21 (2011), YAG (1996), Anaphase (2023), Wall (1990), Three (2005), Zachacha (1998), Moshé (1999), Zorn (2021).
Lighting design: Avi-Yona Bueno (Bambi)
Costume design: Rakefet Levy
Costume alterations: Ari Nakamura
Soundtrack editing and design: Maxim Waratt
“There was always some shadow hovering, some doubt hovering.”
David Grossman, excerpts from a conversation, Shalem Academic Center (2020)
Text: Maxim Waratt
Text about the work: Shira Vitali
“Issa Nore” by Maxim Waratt
“Train” by Goldfrapp
“Pictures” by Ohad Fishof & Maxim Waratt
“Stones Start Spinning” by David Darling
“Verlaine: Part I—Un midi moins dix” by John Zorn
“Al Ghariba” by Khader Shama
“Riacho” by Guem
“Hava Nagila” by Dick Dale and the Del-Tones
“Echad Mi Yodea” by The Tractor’s Revenge & Maxim Waratt
“Pan Sonic” by Maxim Waratt
Excerpt from “Baphomet”
“Somewhere Over the Rainbow” by Harold Arlen
“Sway” by Luis Demetrio
“Nocturnes, Op. 9: No. 2 in E-flat Major” by Frédéric Chopin, performed by Arthur Rubinstein
“Asia 2001 – Psykadelia”
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