The Art of Letting Go

At moments of transition, something cracks.

It is precisely through this crack that an invitation emerges—to immerse oneself in a space of contemplation and wonder: a free territory where all defenses, tension, logic, and inner limitations temporarily recede.

Letego leads audiences through seven gates of the experience of letting go, embodied in live electronic music, vocals, performance, dance, and visual design. Each gate reveals a new level of the physical and emotional process of renewal and transformation. The performance invites audiences to explore, observe, and experience an almost radical act of releasing familiar forms and perceptions.

Letego is a captivating immersive performance with a two-way interactive structure. During the performance, the audience is divided into two groups that move through the space of the Tao Culture Center along opposing routes. Each path offers a unique experience, yet leads to a shared understanding.

Letego was created as a unique collaborative project by the Clipa Theater and the Tao Culture Center. The performance is in a living dialogue with the space that shaped its artistic language, structure, and development.

Viewing the performance involves walking. Please wear comfortable shoes.

Concept, director, and set designer: Idit Herman
Creators and performers: Yam Ashkenazi, Anat Grigorio, Michal Herman, Yoav Weiss / David Atar, Dafi Katz, Jonathan Nosan, Rotem Nahmani, Gil Tzirlin, Reut Rivka
Assistant director: Dafi Katz
Electronic music: Yam Ashkenazi
Vocal direction: Yoav Weiss, Reut Rivka
Musical arrangement: Roi Ben Sira
Production: Dafi Katz, Yam Ashkenazi, Rotem Nahmani
Project administration: Noa Shechter, Yaara Ekhaus
Marketing and media: MODO — Mark Borshtein, Roi Michael Shafi
Strategic consulting: Galia Badur
Graphic design: Matan Shlita
Photography: Dan Ben Ari
Initiator and project partner: Tao Culture and Content Center
Artistic director of the Fringe program at Tao: Idan Schwartz
Technical director at Tao: Koka Ramati

Special thanks to Ariel Bronza for editing the texts.