From October 31 to November 2, Tel Aviv will host the 'APOCALYPTEA' exhibition featuring expressive graphic art by Israeli artists, complemented by tea ceremonies. Visitors can reflect on apocalyptic themes through various art forms and participate in workshops. Entry is free, and tea ceremonies are held by donation.
From October 31 to November 2 in Tel Aviv, a three-day exhibition "APOCALYPTEA" of expressive graphic art by Israeli artists will take place, accompanied by a tea ceremony.
The exhibition-happening invites visitors to a tea ceremony-meditation in the space of works by 8 Israeli artists and designers, reflecting on the experience of apocalyptic moods through graphics, ceramics, painting, and installation. The aesthetics of catastrophic reality and escapism, the possibility of finding a point of balance, seeing in destruction the manifestation of life, transformation, and focusing on the measured rhythm of the tea ceremony to find one's own space of silence amidst a geopolitical storm.
Participants: Michael Pristavkin, Katya Desnenko, Seva Belfer, Natalia Rozenbaum, Nikita Semago, Kirill Radaev, Vladimir Burkov & Ivan Rozenstein
Tea ceremony: Alexander Puer
Curator: Kate Finkelstein
Exhibition Program:
October 31 - 7:00 PM - 10:00 PM - Evening opening, tea ceremony.
7:30 PM - Curatorial tour with comments from the authors.
November 1 - 11:00 AM - 2:00 PM - Morning opening, tea ceremony.
11:30 AM - 1:30 PM - Calligraphy workshop with Mikhail Pristavkin (100 ₪).
November 2 - 11:00 AM - 6:00 PM - Exhibition visiting day, tea ceremony.
11:30 AM - 1:30 PM - Calligraphy workshop with Mikhail Pristavkin (100 ₪).
At the exhibition, artworks, art souvenirs, and 5 types of hand-picked tea from the UNN province farm will be available for purchase.
All days: Entry to the exhibition is free, tea ceremony by donation.
Location:
KakdelArt hub
HaThiya 14, Tel Aviv
Entrance A, 2nd floor, Studio 212
A bit more about the concept of the show:
The apocalypse as the sum of the collective unconscious. A visual reflection on the problem of the boundary between the internal and the external, which lies in the world of dreams. The language of calligraphy is utterly undefinable, essentially bursts, exclamations, fragmented beginnings of phrases in different languages... Giant moving cities wandering through wastelands in search of resources. A dream emerging through the carousel of chaos, the creaking of destruction, a desire to hide inside and remain in a static point. The cosmos, which one can touch at the bottom of a large glass funnel left by a nuclear explosion. The creation of works in a futile attempt to escape the war, containing something that we all once had and were forced to part with. Humanity has adapted and now lives by new rules.
Expressionism, which emerged at the beginning of the 20th century as an artistic reaction to the horrors of wars and revolutions that swept across Eurasia, has once again become a significant way of culturally processing the complex and traumatic historical experiences of Europe and the Middle East in the current phase of the 21st century, now infused with the shades of the visual language of a new era.
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